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Brooklyn Bowl’s Talent Booker Lucas Sacks Spotlight Interview: Landing Guns N’ Roses, Lauryn Hill & More

Brooklyn Bowl's Talent Booker Lucas Sacks Spotlight Interview: Landing Guns N' Roses, Lauryn Hill & More 1

“Watching a sold-out present the place the followers are freaking out and the band’s feeding off that power, that feeling is unreal.”

When Lucas Sacks joined a covers band as an adolescent in New Jersey, he had no aspirations of being the lead singer. Although he performed guitar within the group, he was rapidly drawn to a special side of present enterprise: Reserving the band’s reside gigs. 

“We would play at a local venue and get $0 unless we sold 75 [tickets],” he remembers. “I was like, ‘how do we put ourselves in a better position so we’re not being taken advantage of?’ That’s when I realized, that’s why booking agents exist.”

He’s since parlayed that passion right into a profession. Because the lead expertise purchaser at storied Williamsburg bowling alley-turned-music venue Brooklyn Bowl, Sacks books and oversees greater than 500 concert events and music-related occasions yearly. Since he joined the venue in 2012, that has meant all the things from squeezing two grand pianos onstage for a rowdy Weapons N’ Roses’ efficiency in 2013, convincing Stevie Nicks to crash a New Yr’s Eve get together ringing in 2015, internet hosting Lauryn Hill — twice — and, in May, getting rising rapper Noname to carry a jam-packed Governors Ball after-party. 

Different names which have handed by means of the neon-lit stage embody Paul Simon, Kanye West, Adele, Snoop Dogg, John Mayer, Elvis Costello, Skrillex, Public Enemy, M.I.A., Fall Out Boy, Bruno Mars and extra. Pollstar ranked the 600-capacity venue, which additionally has a department in Las Vegas, New York Metropolis’s busiest membership venue of the 12 months for 2017 — and the seventh busiest membership venue on the earth, with greater than 165,000 tickets offered that 12 months. And as Sacks celebrates his 30th birthday this month, the Bowl will mark its 10th anniversary with a six-night-stand from funk-jazz trio Soulive, July 11-13 and 18-20.

It’s a full-circle second for Sacks, who interned for Soulive’s administration firm Royal Household Data the summer time earlier than his senior 12 months at Syracuse College’s music industry-centric Bandier Program. He related with Soulive’s supervisor on campus, the place Sacks led a pupil group centered on live performance promotion. 

“It was unpaid, and it was just me with some volunteers doing 18-hour [days] for five days in a row,” he says of the internship, nursing a cup of espresso within the Bowl’s inexperienced room on a latest Friday morning. “But I felt like my job was really important, and I made an impact.”

The work paid off. Soulive are common performers on the Bowl (the place they’ve booked extra gigs than every other act), and the connection helped Sacks safe an entry-level position on the venue years later. Sacks additionally interned for Occasions Sq.’s iconic, since-closed B.B. King Blues Membership & Grill as a university freshman, the place his area included the Highline Ballroom, Blue Be aware Jazz Membership and All Factors West Music Pageant, all owned by the identical firm. That summer time was no breeze, both. Every morning of the three-day Jersey Metropolis competition, Sacks would kick off an hour-long drive to the occasion round 5 a.m., then “work all day and all night” establishing trailers and shuttling artists between levels on golf carts. 

However Sacks rapidly bought used to the each day grind and even seemed ahead to the adrenaline rush: “I slept for like two or three hours [a night],” he says. “I loved it.”

The opposite enchantment of reserving, Sacks provides, is the shut relationships he develops with bands and their managers as they fight to consider “out-of-the-box” methods to advertise the music, from quarterly live performance collection to model sponsorship offers and even having bands hit the bowling lanes with followers post-show. A favourite trick for Sacks is to Frankenstein collectively super-groups, like pairing singer-songwriter Jackie Greene with Lifeless & Firm’s Jeff Chimenti and others for a Grateful Lifeless appreciation night time in 2017.

Each week, he corresponds with managers and brokers for wherever between 15 and 100 musical acts, reserving out reveals as much as a full 12 months prematurely.

“I love being able to talk [to bands] about the creative aspects of what they’re doing, how a new record is different from the last one and how they get their live sounds,” Sacks explains. “We have to do our best to set them up for success at the venue.”

After becoming a member of the Bowl as an assistant expertise purchaser, Sacks says his first large get was the Weapons N’ Roses present in June 2013, which additionally marked a significant turning level for the venue itself. The band was headlining Governors Ball that summer time and their contract allowed them to play one different gig whereas on the town.

Having carried out membership reveals at venues like Hiro Ballroom again within the day, the band thought asserting a last-minute present on the Bowl can be “a cool way to give back to the fans,” Sacks says. And amid robust competitors from the myriad venues in New York, he additionally thinks the Bowl’s assorted choices — it’s additionally a bar, restaurant and 16-lane bowling alley — enchantment to musicians who’re searching for one thing distinctive. “When we got the call,” he provides, “we were like, ‘Oh shit, we have to make this work.’” 

To drag off a stadium Weapons N’ Roses set within the Bowl, Sacks needed to wrangle approval from the Governors Ball founders, host a number of manufacturing walkthroughs and construct out the stage to accommodate all of the band’s gear. “There were all these red flags,” Sacks remembers. “I thought we weren’t going to be able to do that size show.” However tickets offered out immediately and the morning of the present date, Sacks arrived at work to seek out hordes of concert-goers camped outdoors the venue, lots of whom had pushed hours from neighboring states. 

Sacks thinks the present set a brand new bar for the Bowl, serving to it to land later dates with Jane’s Dependancy, Robert Plant and different music legends. 

He’s had his justifiable share of disappointments, too, however now is aware of the best way to deal with them: For last-minute cancellations, as an illustration, he’s now developed a go-to motion plan; and when he will get turned down by bands altogether, after years he not takes it personally. The weirdest factor he’s needed to take care of? One band’s request for a blow-up intercourse doll on its rider (and no, the Bowl didn’t oblige).

And whereas the day of our interview is technically a “summer Friday” time off for Sacks, he remarks with amusing that he hasn’t been in a position to skip out early for years. Downstairs, you possibly can hear the venue crew gearing up for load-in, with three bands and a DJ on faucet to take the stage by the top of the night time.

When the present begins, you possibly can catch him — as at all times — standing within the again by the soundboard, taking all of it in. 

“People ask me why do I do this because it sounds so stressful and time-consuming,” he says. “But watching a sold-out show where the fans are freaking out and the band’s feeding off that energy, that feeling is unreal.”


While you’re developing attempt to discover a mentor and soak as a lot in as potential. A lot is on-the-job coaching and relationship-based development, so studying the ropes rapidly is essential. It helps to have some steerage to assist with early progress.

What’s modified is the final reserving timeline. As bands push to tour extra and longer, advance planning getting forward on acts on the rise must be completed sooner, and reserving has began additional out yearly general.

I’ve realized to just accept the losses (financially or not getting a present) once they occur and use them as constructing blocks for honing the craft.

The most effective recommendation I’ve obtained is do not burn any bridges. You by no means know the place somebody will find yourself or who they know.

Coping with musicians is a part of what retains me going. Attending to bounce concepts off the bands or construct one thing collectively that they’re simply as enthusiastic about as I am is a good feeling.

It is good to have persistence. We at all times plan for all the things to go a sure manner, however issues change and with the ability to adapt on the fly with out being too burdened is essential. Making logical, however fast choices to get the job completed is essential.

Highlight is a collection that goals to focus on these within the music enterprise making modern or inventive strikes, or who’re succeeding in behind-the-scenes or under-the-radar roles. For submissions for the collection, please contact


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